Under the Peshwai (leadership) of Bajirao I, the capital of the Maratha Empire shifted from Satara to Pune. Bajirao chose Pune for his seat because he found the climate and geography of Pune most suitable for the Peshwai. As both ceremonies – laying the foundation stone and a house warming – took place on Saturdays and the Wada was built in Shaniwar Peth, it was named Shaniwar Wada.
The main entrance of the Shaniwar Wada is called the Delhi Darwaza, so called because it faces the north and due to Bajirao’s ambitions of conquering Delhi. The building of Shaniwar Wada is thus a pivotal moment in the history of Pune, which has been the cultural capital of Maharashtra ever since.
After Bajirao I
Nanasaheb or Balali Bajirao, the son of Bajirao-I, was the longest ruling Peshwa at 21 years and saw the glory of Shaniwar Wada multiplied during his tenure. However, by the end of his rule, the Marathas had lost the third War of Panipat which resulted in the glory of the Shaniwar Wada being somewhat diminished.
Yugant confronts various versions of Mahabharat analytically and tries to make sense of character arcs and motivations. Intelligently analyzed without religious respect but with literary respect. The motivations of Pandavas for marrying Draupadi as the Royal Queen are very well explained. The literary accounts of chats between Dhritarashtra and Gandhari & those of Draupadi’s death are very well written and move your heart. Krishna (Vasudeva) stands out not only because of the brilliance of his character but the wonderful analysis and the crisp unraveling of his motivations. The Arya (Kshatriya) Dharma is explained in Krishna and Yugant chapters. The author enthralls with deep and intelligent writing in the final chapter that resonates wonderfully even in the 21st-century internet age. The sincere and irreligious comparisons of Mahabharat Era – Arya Dharma to contemporary Hindu religion and other Prophetic Faiths are interesting. Throughout the book, the author refrains from applying current Zeitgeist as a yardstick – something which is refreshing in 21st century polarized analysis and debates which always have political undertones. Even without a direct running story arc – the arrangement of essays offers a wonderful climax – especially Krishna and Yugant chapters. With recent elevation of Heroic Karna in Indian literature and thought, a look back of the character of Karna as seen in 1950s-60s is a pleasant change.